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Is It Finished?

Sometimes it is quite hard to tell if a painting is finished, even if or probably especially if it’s your own painting. And it’s difficult even if or possibly especially if you love the painting already.

The painting above is a case in point. I do really love it. I love the movement and the suggestion of a giant gathering of birds filling the sky. But I have the nagging feeling that it needs something. Some of the more woowoo teachers will say the painting will tell you what it needs, if you pay attention. What am I missing? you might ask the painting. Or What are you, oh painting, missing? What do you need? What do you want me to do? I like to think of myself as woowoo-ish but I have my limits and I haven’t had much luck chatting with my paintings.

Instead, I stare and I think. Thinking, some say, stifles the making of art.

This is what that one, above, looked like until I stopped staring at it and painted.

What do I need at any given moment? The answer to that question can also be mysterious. Today I really needed to have some fun at pickleball in that specifically pickleball way, e.g. laughing, crying out Aiyiyi!! when I’ve hit the ball way out, going full-on after the ball, and making some great or great-ish shots. That was clear to me. I did go and I did play but I did not get what I needed, and now I’ve come home to stare at that painting off and on all day. How can I be expected to give it what it needs when meeting my own needs is so elusive?

Life can be challenging.

This one is finished, but I can’t really say why.

I do not actually stare at paintings for long periods of time. I do talk to my dogs all day long. I hug certain trees and whisper I love you to one in particular. I call out hello and wave to the moon. I quietly say Eye on the ball at pickleball to myself ten hundred times a day. So maybe having a heart-to-heart with a painting isn’t really that far behind. I will report back if there are any developments.

What about you? Where do you stand on woowoo? Do you commune with any so-called inanimate objects? Do they talk back to you?

“Painting is complete as a distraction. I know of nothing which, without exhausting the body, more entirely absorbs the mind.” ― Winston S. Churchill, Painting As a Pastime

“I dream my painting and I paint my dream.” ― Vincent Willem van Gogh

“Painting is just another way of keeping a diary.” ― Pablo Picasso

If you’re looking for my cards or art, you’ll find all of that on my website. If you enjoy these letters, feel free to forward this one to anyone you think might like it. And if someone forwarded this one to you, you can sign up here to receive the letters right in your Inbox. Finally, you’ll find past letters and poems here.

Thanks for listening,
Kay

P.S. MerryThoughts is the name of my first book, out of print at the moment. The word is a British one, referring both to a wishbone and to the ritual of breaking the wishbone with the intention of either having a wish granted or being the one who marries first, thus the “merry thoughts.”

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Sold!

“Yosemite”

I just sold a painting I thought I wanted to keep forever. It went to a very good friend who has wanted it for months. (She lives nearby, too.)

I’ve listened to painters talk about the struggle in the creation of a finished piece. The struggle, the failures, the wrong turns, the stress, the self-doubt, destroying a painting to make it better–all real but fairly new to me. Oh, I struggled with a collage now and then, but there you’re shifting the pieces around. You don’t glue them until you’re happy with it. With a painting, you put something down, you might hate it immediately and take it off, or you may like it at the moment and an hour later or the next day, you hate it. A dog’s breakfast.

Me and my painting hanging in the Daum Museum

This painting is significant to me partly because it was such a struggle. I worked and worked on it, again and again rejecting what I had done. And then, suddenly, it was finished. A triumph! I had solved the problems with it. The painting and I had reached an agreement. I fell in love with it. There are many things I love about it: the “string of pearls” at the top, the pops of orange, pink and red, poking through all that luscious blue, the dots and pink circles I made with my fingers, the many layers of color and mark. I felt that I had achieved a certain level of mastery with this one. I love this painting.

Then it was chosen to go to the Daum Museum in Sedalia MO along with art works by several other Missouri artists whom I admire. That was thrilling. It meant that others, people who know a few things about art, felt that it was a triumph, as well. It spent the summer there. And I went with three friends to see my painting hanging in a museum, no less!

Here’s a close-up of the “string of pearls.”

Meanwhile, my friend really wanted it. She was saving a spot on her newly painted wall. She made several overtures. I thought no, I want to keep this one because of what I went through to finish it. We talked. I said I’d see how I felt once I brought the painting home.

Then I realized that, as they say, it’s the doing of a thing that is more important than the thing itself. I will always hold the feeling of my triumph. I will always have the satisfaction of having struggled and broken through to the other side of that struggle. I will always remember the excitement I felt when, suddenly, it was finished and suddenly, I loved it.

I don’t need to have it here in order to feel those things and know those things. I did that. I feel that. That will not go away if the painting goes and lives somewhere else. And my friend really loves it. Aren’t these the things we’re looking for when we create? Our own pleasure and growth in the doing, plus the knowledge that what we’ve made brings joy to someone else? So I leaned towards selling it to her, leaned into the idea, and then, on a gorgeous evening at an outdoor concert, I said I’d love for her to have it if she still wanted it. And her face lit up. So that’s that. Another sudden breakthrough.

I am continually surprised at how painting–creativity in general but somehow painting in particular–teaches me things, helps me grow, adds layers to who I am. Just as I add layers to my paintings, they add layers to me. You cannot beat that. Cannot.

“Every now and then one paints a picture that seems to have opened a door and serves as a stepping stone to other things.” ― Pablo Picasso

“The discipline of creation, be it to paint, compose, write, is an effort towards wholeness.” ― Madeleine L’Engle, Walking on Water

“To talk about paintings is not only difficult but perhaps pointless too. You can only express in words what words are capable of expressing– what language can communicate. Painting has nothing to do with that.” ― Gerhard Richter

If you’re looking for my cards or art, you’ll find all of that on my website. If you enjoy these letters, feel free to forward this one to anyone you think might like it. And if someone forwarded this one to you, you can sign up here to receive the letters right in your Inbox. Finally, you’ll find past letters and poems here.

Thanks for listening,
Kay

P.S. MerryThoughts is the name of my first book, out of print at the moment. The word is a British one, referring both to a wishbone and to the ritual of breaking the wishbone with the intention of either having a wish granted or being the one who marries first, thus the “merry thoughts.”